NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the “I have nothing to hide” argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.
You May Also Like
Louis has gained access to Coalinga Mental Hospital in California, which houses more than 500 of the most disturbed criminals in America, convicted paedophiles. Most have already served lengthy prison sentences, but have been deemed unsafe for release. Instead, they have been sent here for an indefinite time. Spending time with those undergoing treatment, Louis wrestles with whether he can ever allow himself to believe men whose whole history is defined by deception and deceit.
Filmmaker Kevin Rafferty takes viewers to 1968 to witness a legendary college football game and meet the people involved, interweaving actual gridiron footage with the players’ own reflections. The names may be familiar (Tommy Lee Jones and friends of Al Gore and George W. Bush are among the interviewees), but their views on the game’s place in the turbulent history of the 1960s college scene add an unexpected dimension.
From the acclaimed team that brought you BBC’s visual feast “Planet Earth,” this feature length film incorporates some of the same footage from the series with all new scenes following three remarkable, yet sadly endangered, families of animal across the globe.
David Byrne walks onto the stage and does a solo “Psycho Killer”. Jerry Harrison, Tina Weymouth and Chris Frantz join him for two more songs. The crew is busy, still setting up. Then, three more musicians and two back-up singers join the band. Everybody sings, plays, harmonizes, dances, and runs. In this concert film, the Talking Heads hardly talk, don’t stop, and always make sense.
Director Ron Howard tracks the fan phenomena that was Beatlemania from its zenith – 1963 to 1966 – to its end when the Fab Four withdrew from live performance. Landmarks from their US breakthrough in 1964 with I Want to Hold Your Hand to the controversy prompted by John Lennon’s flippant “more popular than Jesus” remark are chronicled in a documentary that includes among its interviewees Paul McCartney, Elvis Costello and Eddie Izzard.